A Conversation with Titus Andronicus





(Prior to their gig at The Earl in Atlanta, Georgia on September 20, 2010, members of Titus Andronicus kindly took the time to meet with Gary Bombardier and Ersatz Erik of Hellbomb. Titus Andronicus is America’s best punk band and are led by their singer and principal songwriter Patrick Stickles, who also plays guitar. He is aided by Ian Graetzer on “the bass guitar” (as it says in the liner notes for their highly recommended and acclaimed album The Monitor on XL Recordings); David Robbins on keys and guitar; Eric Harm on drums and backing vocals; and Amy Klein on guitar and electric violin. Amy did not participate in the so-called interview, which turned out to be more of a conversation. It took place on a small patio behind the club while opening band Free Energy had their sound check. The following is a condensed version of the conversation.)

Gary Bombardier: You’ve been touring behind The Monitor six months now. What’s been surprising about the impact the record’s had?

Patrick Stickles: People actually come to the shows now. There’s a spirit … better turnouts.

GB: Has it evolved? I know you guys have put a lot of work into The Monitor. The reception must be very pleasing. Like Rolling Stone picking Titus Andronicus as being one of the best up and coming bands.

PS: That one’s pretty cool but the concerts are more validating.

Ian Graetzer: The concerts because people are reading things like that.

PS: That’s true.

IG: There’s an even a more diverse audience than when we did when we were touring with the last album. (Interviewer’s note: The Airing of Grievances: Also highly recommended!) Like I feel a lot more women come to the shows than before.

PS: After the last album there’s a lot of older people.

IG: Yeah. Older people.

PS: And now it’s just all over the spectrum. There’s even more ethic diversity I’d say to our crowds.

IG: Yeah, slightly more.

GB: Your songs are pretty fully developed. To you find them changing now that you’re playing them live? Are they morphing? Is there more jamming?

PS: Not really jamming -

IG: Changing in the sense we didn’t have all the things we did when making the album. Doing what we can do to get it done live to make it happen live as well.

PS: I tell you now it takes on a little more of its own identity. Because like you said, it is different. We’re pretty much starting … not from scratch but it’s slightly changed arrangements, more so than jamming. Just all the notes you hear are pretty much representing things you hear on the record. They’re just arranged a bit differently.

GB: The record has like twenty musicians on it. A big mix.

PS: A lot of contributors.

IG: But not all at the same time.

PS: You feel like you’ve been doing this forever.

Ersatz Erik : Does your feelings evolve for an album that you create and work hard and then it’s given to the world that it’s for. But for you guys, you live with it every day. For people who listen to the recording, it’s the same. So how do your feelings evolve about it over time?

IG: You mean like from before you started recording it to after recording?

EE: When you release an album, there it is. That’s how it’s given to the world. But with you guys, you’ve lived with it. Especially for an album that has been as acclaimed as your has.

PS: It’s pretty static, right? We’re pretty flexible.

GB: The songs on the record are credited to the whole band. Do you all write the lyrics? Does one person write the lyrics?

PS: Pretty much do most of it, the song writing, but I don’t like to make a big deal out of it.

GB: The Monitor seems to be – at least to me when I listen to it - to be about you and your experience going to college? Is that true or am I just –”

PS: Graduating college into the adult world.

GB: How did the whole Civil War aspect come into it?

PS: From observing. Pretty much trying to achieve unity … communities amongst personal relationships. Creating an album out of different elements of your personality clashing with one another.

GB: Why The Monitor of all of the things you could have drawn on from the Civil War?

PS: Well, two reasons. My brother’s in the Navy and he taught me how to play guitar when I was a kid. He’s a big influence, one of out biggest supporters, always giving us bags of stuff when we go on tour. So it’s a little bit of an homage to him.

GB: And the second reason?

PS: It’s something pretty long. So I wanted an image of something sort of lumbering, kind of slightly prehistoric. The ship was sort of like that. It was a very crazy design for its time; more amphibious than the standard battle ship of the day. And also … I kind of wanted to name it after a dinosaur as well; couldn’t really do that because there weren’t any dinosaurs in the Civil War but there is such a creature as the monitor, a lizard. The monitor was sort of like a creature that lived in the water.

GB: I read somewhere that you live in Greenpoint? Did you know that The Monitor was built there?

PS: (Nods.) That’s right. There’s Monitor Street but there’s no appropriate flags or historic markers. Nobody drives near it.

IG: It’s across from an old sewage waste plant.

PS: It’s probably not in a part of the neighborhood that you’d go out of way to visit unless you had an interest in it.

GB: You guys are on the third leg of The Monitour. Is this the final stage?

PS: No we’re going to go to Europe for a little while … but possibly … I don’t know what the next move will be. We’ll have to see what the future holds. But that’ll probably be promoting our general brand.

IG: We’ll entertain. We’ll provide entertainment services for the world.

GB: The Monitor’s very ambitious. It’s not your typical rock and roll record.

PS: It is and it isn’t.

PS: You know, playing major chords and stuff. And I guess the songs are a lot longer than regular punk songs some of the time.

GB: What’s been the most amazing thing to happen during The Monitour? Was it appearing on NBC?

IG: I think that meant more to the parents.

David Brooks: It was cool, but it wasn’t the greatest … it was definitely fun but I wouldn’t say -

IG: It was an experience.

Eric Harm: Yeah, but I wouldn’t say it was like the crowning of my -

DB: You and I pulled in there at like eight AM or whatever. We just kind of sat there until about 5:30 and – I said it was cool, this is not a complaint but you really sat in a room for eight hours and then played for three minutes and we’re like “High Five! Cool! That was fun!” And then turned around and left.

GB: Was it really a challenge to come on cold like that?

DB: We played the song four times during the soundcheck.

PS: We played for like three and a half minutes and that’s like three percent of what we would usually play when we get together. There’s not much contact besides David and Eric. We usually have some time to really get into it, into feeling the show, to get going. I mean it was weird.

EH: That’s what I’m saying. It was a really long day and then it was over before it started.

DB: But it was great. Don’t get me wrong. It was fun, an interesting thing. Something we never planned on doing; got to do it. That was cool.

GB: Getting back to the album itself, The Monitor has a lot of Civil War era quotes on it. I’m a Butthole Surfers fan and I couldn’t help but notice you have a Butthole Surfers quote in there with all of the Civil War quotes.

PS: Yeah, we have a Butthole Surfers epigram.

GB: So, why them?

PS: Just kind of illustrating … trying to track the transmutability of those sort of particular human behavior and how it was represented for me growing up by the ever present football player rapist: the archetype I thought of torturing me when I was a kid even though it maybe was largely imagined.

GB: Have you guys seen them then, ever, the band?

PS: No I’ve never seen them. Just curious but maybe I will before I die. But I guess they’re back now. (Interviewer’s note: PS must’ve heard something through the underground grapevine because how else to explain the announcement of two BHS shows in Austin, Texas at then end of October?) I never saw them in their hey day. I’ve really heard a lot about them.

GB: Last time I saw them in New York City was in Webster Hall (i.e., July 2009), which is where you guys are playing this weekend. Is Webster Hall the biggest place you’ve played in New York?

IG: Or anywhere else in the world.

PS: It’ll be daunting. It’ll be okay. We’re just going to do our best, you know? The same as we’ll do tonight, Whatever happens, happens. We’ll try to control over it what we can. Try to play good.

EE: You seem very zen like, accepting of this reality. But then your music is has a lot of the world in it. It’s very interesting blend because your personal philosophy, if I just talked to you I wouldn’t think your record would sound like that, the lyrics even wouldn’t sound like that. How do you feel about that zen like sense of it is what it is, do your best –

IG: I guess when we started this band it wasn’t we’re going to make it and do this and do this. When it all happened … when we were able to just tour … it just wasn’t that kind of jam to do everything to climb up the ladder so, if it was to end I would personally feel like we did a lot of good stuff that was okay. It would be going onto something else. Some other bands would do everything they could to hang on. So it’s acknowledging that. Whatever happens, happens.

PS: You try and that’s all you can really do.

DB: There’s too many things like you’re tired, you have to drive a lot, you have to stay up, if want to worry about things like that, you want to worry about how many tickets you sold, who’s going to come to your shows and all that, you’d just drive yourselves crazy. There are so many things you can easily be negative about. There’s no point in that. You have zero control over that. You’d be wasting your time so you might as well worry about what you do have control over.

EH: You just grab on for the wild ride.

PS: We’re just regular people doing our best like anyone else.

GB: Final question. What we try to do with Hellbomb is turn people onto things. For instance, I really think Titus Andronicus is great so we write about you. What would you want to turn people on to? What band? What artist?

PS: Maybe this band we’re touring with Free Energy. That’s kind of one reason we have them on tour. We think they’re great. Hopefully everybody else will agree.

GB: Where are they from?

PS: Philadelphia. Originally from Minneapolis apparently. Minnesota. They really rock.

GB: Anything else?

PS: We could say that our friend Andrew Cedermark’s got a new album that just came out this past week or something. (Interviewer’s note: Andrew Cedermark’s Moon Deluxe was released September 14, 2010.)

GB: Alright. We’ll check it out on Hellbomb.

PS: That’s what’s going on in my life that I’m interested in.

EE: There are a lot of literary references in your lyrics and in your name. Are there any books you guys are reading now?

DB: I just finished The Heart Is A Lonely Hunter. That’s a great book. Oprah’s book club. We all kind of read. Like Eric’s reading that book now. People just grab them in the van. We sort pass them along.

EH: I just read Moby Dick.

GB: So what did you think?

EH: Pretty dry. I think I liked a lot of it. I thought it was really funny actually. I think that Herman Melville knew that using the word semen or sperm on every other page wasn’t entirely scientific.

GB: Lot of homo erotic stuff in it.

EH: The sperm whale as the phallic symbol.

GB: So you found the whaling parts dry?

EH: I liked learning about it. It was kind of like walking through mud at some points. But I decided I wanted to read it and I did.

DB: That’s how we should do everything. Keep it up.

EH: But in the end I think it was worth it.

PS: I read a book called Eon by Greg Bear. This hard sci fi epic about this mysterious asteroid that appears in earth’s orbit but they find out it’s some kind of ancient civilization from the future. And there’s lot of other stuff that happens. I got it because I was really intrigued that the synopsis was on the back cover but continued onto the first page of the book. It was incredibly long.

DB: Also on this tour the three of us all read what I believe to be the ultimate novel by Charles Bukowski: Women. Basically just him having a lot of sexual encounters with all sorts of different people.

EE: Yeah, that part about a minor poet dying in the desert.

DB: Oh that! Yeah yeah yeah … when he gets lost and he wonders what the papers would say. He’s like messing around. And the floodgates are opening. Yeah, we had a discussion about that earlier in the tour that was interesting how so many parts are about such a detestable guy but you really –

EE: But he’s likeable.

DB: Yeah you like him but I don’t know if it’s because he was the voice of the book or if he’s in just so many parts of the book.

GB: He’s funny.

DB: Yeah he’s funny so you just kind of like -

EH: I think you’ll find that the things that he does aren’t as extreme as they seem on paper. It’s like he puts it in a very blunt way. Like a lot of people do shitty things without really thinking about it, without feeling bad about it so you’re interested, without really expressing remorse. They don’t try to romanticize it or him anything like that or some other folks would. The nature of his relationships. That rare thing. A lot of people probably live like that.

DB: Well, a lot of people I know live that way.

GB: One last question. Are you guys more Sex Pistols fans or Clash fans? (Interviewer’s note: I asked this question because Titus Andronicus is clearly a punk band and now have three songs called No Future, a term associated (by us old punkers anyway) with The Sex Pistols.)

IG: I hate The Sex Pistols. I don’t like anything about them.

DB: I don’t like them either.

IG: So I guess The Clash.

PS: I used to really love The Sex Pistols more … a few years ago. But their schtick is starting to wear a little bit thin. For me. They’ve actually started to get a whole prankster. But The Clash also were that, let’s not forget.

IG: I feel like The Clash didn’t put up the front.

PS: Of course they were, they talked about how they were revolutionaries and stuff but they -

IG: I don’t like English punk to be honest so. But if I had to choose one it would be The Clash.

EE: So how are you guys received over there? You’re going back over there. You’ve been there before. Is there some sort of punk ideal that they hold everyone up to?

IG: Not so much in England. I don’t mean it’s the same kind of people but what a sixteen year old does here does the same thing over there. Kind of more or less the same thing.

PS: It’s all it ever is. Be peaceful and calm. The other day we stayed at our friend’s house and she burned some sage over the bed that I slept in. That was pretty zen like.

(Laughter)

- Gary Bombardier and Ersatz Erik
Photo courtesy of Max Blau

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